Saturday, April 1, 2017

ЕМАНУЕЛ ВЕЛИКОВСКИ: Мрачната епоха на Грција

II

НЕМИ СВЕДОЦИ

Olympia

The scholarly world without any further deliberation decided not to bring the Mycenaean Age down to the first millennium, but this decision did not eliminate the disturbing facts. At the same time another one-man battle was being carried on at the other end of the front. Greek antiquities, commonly regarded as belonging to the eighth and seventh centuries, were declared by a dissenting authority to date from the second millennium, to have been contemporaneous with the Mycenaean Age, and even to have partly preceded it.
According to the accepted view the Mycenaean ware came to an end in the second millennium, and the Dorian invasion subsequently brought a “primitive” art, a pottery with incised designs; later a pattern of painted geometric designs developed, reaching its full expression by the late eighth century. Thereafter new motifs were brought into Greek art—griffins, sphinxes and other oriental figures; this is the period of the orientalization of the art of Greece in the seventh century.
This scheme was accepted; and today, with only slight variations, it is the credo of archaeological art.
According to Dörpfeld in the second millennium two or three different cultures met in Greece.1
Dörpfeld insisted that the geometric ware ascribed to the first millennium was actually contemporaneous with, and even antecedent to, the Mycenaean art of the second millennium, and that the “primitive” pottery was also of the second millennium.
The archaeological evidence for the contemporaneity of the geometric and Mycenaean ware and of all other products of these two cultures, and even of the partial precedence of the geometric ware, was the basic issue for Dörpfeld, who spent a lifetime digging in Greece. Observing that the Mycenaean Age is contemporaneous with the period of the Eighteenth dynasty, and that the geometric ware is contemporaneous with the Mycenaean ware, he referred the geometric ware also to the second millennium.
This aroused much wrath.
A. Furtwängler, who during the excavations of Olympia in the western Peloponnesus, under the direction of Curtius, was the first to attach importance to bits of pottery, and who spent over a quarter of a century classifying small finds, bronzes, ceramics and other products of art, and devised the system of their development, disagreed on all points.
Dörpfeld chose to prove his thesis on the excavations of Olympia, on which he and Furtwaengler had both worked since the eighties of the last century. In those early days Curtius, one of the excavators of Olympia, was strongly impressed by proofs of the great antiquity of the bronzes and pottery discovered under the Heraion (temple of Hera) at Olympia; he was inclined to date the temple in the twelfth or thirteenth century and the bronzes and pottery found beneath it to a still earlier period, and this view is reflected in the monumental volumes containing the report of the excavation.
At that time Furtwängler was also inclined to disregard the chronological value of occasional younger objects found there.
New excavations under the Heraion were undertaken by Dörpfeld for the special purpose of establishing that the finds, as well as the original Heraion, date from the second millennium. But the excavated bronzes and pottery strengthened each side still more in its convictions. Each of the two scholars brought a mass of material to prove his own point—Dörpfeld, that the geometric ware, which he had himself found together with the Mycenaean at such sites as Troy and Tiryns was contemporaneous with the Mycenaean ware and therefore belongs to the second millennium; Furtwängler, that the geometric ware is a product of the first millennium, and especially of the ninth to eighth centuries, and is therefore separated from the Mycenaean by einer ungeheueren Kluft (a tremendous chasm).
Who but an ignoramus, argued Furtwängler, would place in the second millennium the geometric vases found in the necropolis near the Dipylon Gate at Athens? Were there not found, he asked, in this same necropolis, porcelain lions of Egyptian manufacture dating from the Twenty-sixth, the Saitic, Dynasty of Psammetichus and Necho?
Were not also a great number of iron tools found beneath the Heraion in Olympia? The Mycenaean Age is the Late Bronze Age; the Geometric Age that of iron. It is true, claimed Furtwängler, that a few iron objects have been found in the Mycenaean tombs—but they only show that iron was very precious at the time these tombs were built.
Both sides linked the question of the date of the origin of the Homeric epic to the question at hand. Most scholars claimed that the epics originated in the eighth century. But, according to the dissident Dörpfeld, they originated five or six centuries earlier, in the Mycenaean Age, which is also the Geometric Age.
The dispute was waged with ungehörigen persönlichen Beleidigungen (outrageous personal slander); and a quarter century after one of the disputants (Furtwängler) was resting in his grave the other, (Dörpfeld), then an octogenarian, filled two volumes with arguments. They vilified each other on their deathbeds, and their pupils participated in the quarrel. In the end the followers of Dörpfeld, the dissident scholar, deserted him and went over to the camp of his detractors.
But by that time he had already been completely discredited, and his obstinacy made him a target for further attacks by the younger generation of scholars properly trained in the science of archaeology, who are able at a glance to tell the exact age and provenance of a sherd. They have no doubt whatsoever that the Mycenaean Age came to a close ca. -1100 and that the real Geometric Age belongs to the ninth and eighth centuries, and for a long time now the issue has not been open to dispute.
But this does not mean that the facts ceased to perplex. According to E. A. Gardner, “fragments of geometrical vases . . . have been found on various sites in Greece together with late examples of Mycenaean pottery.”
When then did the Mycenaean Age end, ca. -1100 or ca. -700?
In this dispute between the two scholars, both were guided by the chronology of the Egyptologists, according to which the Eighteenth Dynasty ended in the fourteenth century, the Nineteenth came to a close before ca. -1200, and the Twenty-sixth Dynasty belongs to the seventh and early part of the sixth centuries. In their application of these undisputed facts to the past of Greece, both disputant scholars agreed that the Mycenaean Age belongs to the second millennium.
The Geometric Age did not follow the Mycenaean Age, but was of the same time or even earlier, argued one scholar (Dörpfeld), and was he wrong? The Geometric Age belongs to the first millennium, argued the other scholar (Furtwaengler), and was he wrong? Wrong was their common borrowing of dates for the Mycenaean Age from the Egyptologists...
...

Tiryns

The same problem that caused the difference of opinions at Enkomi and at the Heraion of Olympia arose at other excavated sites. To demonstrate this on another case of Greek archaeology, I chose Tiryns, south-east of Mycenae. Tiryns was excavated by Schliemann and Doerpfeld in 1884-85. Along with Mycenae, it was an important center of Mycenaean culture. On the acropolis, foundations of a palace were discovered. Together with Mycenaean ware, and mixed with it, geometric ware of the eighth century and archaic ware of the sixth century were found, among them many little flasks in which libations had been brought to the sacred place.
According to Schliemann, Tiryns was destroyed simultaneously with Mycenae and the palace was burned down. But his collaborator Doerpfeld, who agreed with him as to the time the palace had been built, disagreed as to when it was destroyed, and their opinions differred by six hundred years.
From Greek literature it is known that in early Greek times, in the eighth or seventh century and until the first part of the fifth century, there was a temple of Hera in Tiryns which was deserted when the Argives vanquished the city in -460. In later times Tiryns was occasionally visited by travelers coming to pay homage to the sacred place of bygone days.
When the excavation of Tiryns was resumed in 1905 by a team headed by A. Frickenhaus and continued in the following years, special attention was paid to the question of the time in which the Mycenaean palace there was destroyed.
On the site of the palace and, in part, on its original foundations a smaller edifice was built, identified as the temple of Hera of Greek times. The excavators felt that many facts point to the conclusion that the Greek temple was built over the Mycenaean palace very shortly after the palace was destroyed by fire. The altar of the temple was an adaptation of the Mycenaean palace altar; the plan of the Mycenaean palace was familiar to the builders of the temple; the floor of the palace served as the floor of the temple.
However, the Greek temple was built in the seventh century.
After deliberating on the evidence, the excavators refused to accept the end of the Mycenaean Age in the second millennium as the time of the destruction of the palace, and decided that the palace had survived until the seventh century. In their opinion the Mycenaean pottery was the refuse of an early stage of the palace; the terracotta figures and flasks of archaic (seventh-century) type were offerings of the pilgrims to the Greek temple of Hera. A continuity of culture from Mycenaean to Greek times was claimed; even the worship of Hera, they felt, must have been inherited.
Frickenhaus and his team realized that their explanation required some unusual assumptions: for instance, that the inhabitants of the palace did not undertake any alteration for the entire period of more than half a millennium, and that in one part of the palace the refuse of centuries was preserved, while in another part life went on.
But the excavators knew no other explanation, because it was clear to them that “the fire of the palace was followed immediately by the erection of the temple.“
A decade later, when the temple of Hera was found to be very similar in plan to a Mycenaean building excavated at Korakou, near Corinth, “grave doubts” were expressed about the correctness of the above interpretations of the excavators of Tiryns, who had been “involved in a number of difficulties, both architectural and chronological.”
The critic (C. W. Blegen) agreed that the temple had been built immediately after the palace was destroyed, but he could not agree that the temple was a building of the seventh century.
How is it possible, if a Greek temple was established at the Mycenaean level in the megaron [the throne room] and if the open court before the megaron was used at its Mycenaean level from the seventh century B.C. onward,—how is it then possible that this same area was later covered over with almost purely Mycenaean debris?
He therefore concluded that “the later building within the megaron at Tiryns is not a Greek temple” but “a reconstruction carried out toward the end of the Mycenaean Period after the destruction of the palace by fire.” He also denied the significance of the capital of a Doric column found during the excavation of the temple.
Although Blegen’s arguments seemed to carry weight when he denied that the Myceaean palace had survived the Mycenaean Age by almost five centuries, they appeared without force when he asserted that the building erected on the foundations of the palace was not a Greek temple. Blegen’s view was also questioned by an eminent classicist, M. P. Nilsson.
Because it is as inconceivable that the Greek temple was built in the thirteenth century as it is that the Mycenaean palace stood until the seventh century without alterations, its floor not even showing signs of wear, Nilsson confessed his inability to draw a conclusion: “The time of the reconstruction being uncertain, the question whether or not the building is the temple of Hera remains unanswerable.”
In a book on the architecture of the palace of Tiryns, another excavator of that city, K. Muller, arrived at the conclusion that the difference of opinions is irreconcilable, but he shared the view of the scholars who ascribe the palace fire to about -750 and consider the edifice a Greek temple.
Most of the archaeologists agreed on the continuity of the culture and cult of both buildings, but each of the attempts to bridge the chasm of almost five hundred years met with insurmountable difficulties. The answer would not be difficult if the Mycenaean Age were not displaced by this interval of time, pushed back into history, before its proper place.

(изв. The Velikovsky Archive)

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